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sábado, 16 de julio de 2016

Grant Green • The Latin Bit



Review by Michael G. Nastos
Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos "Patato" Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy "Besame Mucho" and the patient, slow, slinky, sultry "Tico Tico." Just a small step below is a classy take on Charlie Parker's "My Little Suede Shoes," a premier jazz bebop (emphasis) tune with a Latin undertow and Green's tiniest staccato phrases, slightly marred by the overbearing constant chekere, but still classic. "Mambo Inn" is played inaccurately, but forgivable. "Mama Inez" ranks high for its calypso-infused happy feeling and wry stop-start lines. The straight-ahead hard bopper "Brazil" and lone soul-jazz tune, "Blues for Juanita," display the single-note acumen that made Green's style instantly recognizable. Tacked on the end are two selections with pianist Sonny Clark and tenor saxophonist Ike Quebec. While Clark is not known for Latin or soul-jazz, he's quite good, while Quebec, who emphasized Brazilian rhythms in the last years of his life, plays hip secondary harmonies on the bossa nova-flavored "Granada," but is in the complete background and a non-factor on the pop tune "Hey There." This CD always yielded mixed results for staunch fans of Green, but a revisit shows it to be a credible effort, even if slightly flawed in part. (This edition of The Latin Bit was remastered by Rudy Van Gelder in 2007.)

Review by Scott Yanow
Grant Green, being known mainly as a soul jazz guitarist, eventually gravitated into the popular boogaloo sound. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos "Patato" Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy "Besame Mucho" and the patient, slow, slinky, sultry "Tico Tico." Just a small step below is a classy take on Charlie Parker's "My Little Suede Shoes," a premier jazz bebop (emphasis) tune with a Latin undertow and Green's tiniest staccato phrases, slightly marred by the overbearing constant chekere, but still classic. "Mama Inez" ranks high for its calypso-infused happy feeling and wry stop-start lines. The straight-ahead hard bopper "Brazil" and lone soul-jazz tune, "Blues for Juanita," display the single-note acumen that made Green's style instantly recognizable. This date always yielded mixed results for staunch fans of Green, but it remains a credible effort, even if slightly flawed in part. [Some reissues add two selections with pianist Sonny Clark and tenor saxophonist Ike Quebec, the latter of whom plays hip secondary harmonies on the bossa nova-flavored "Granada," but is in the complete background and a non-factor on the pop tune "Hey There."]

Tracks
01 - Mambo Inn
02 - Besame Mucho
03 - Mama Inez
04 - Brazil
05 - Tico Tico
06 - My Little Suede Shoes
07 - Blues For Juanita
08 - Grenada
09 - Hey There

Personnel
Grant Green - guitar
Ike Quebec - tenor saxophone (tracks 8-9)
John Acea (tracks 1-7), Sonny Clark (tracks 8-9) - piano
Wendell Marshall - bass
Willie Bobo - drums
Carlos "Patato" Valdes - conga (tracks 1-6, 8-9)
Garvin Masseaux - chekere (tracks 1-6)

Released: May 1963
Recorded: April 26 & September 7, 1962
Van Gelder Studio, Englewood Cliffs
Genre: Latin jazz
Length: 38:56 original LP / 59:53 CD reissue
Label: Blue Note / BST 84111





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